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1987
Directed by Marek Kanievska
Synopsis
It only looks like the good life.
A college freshman returns to Los Angeles for Christmas at his ex-girlfriend's request, but discovers that his former best friend has an out-of-control drug habit.
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- Cast
- Crew
- Details
- Genres
- Releases
Cast
Andrew McCarthy Jami Gertz Robert Downey Jr. James Spader Tony Bill Nicholas Pryor Donna Mitchell Michael Bowen Sarah Buxton Lisanne Falk Michael Greene Neith Hunter Afton Smith Brian Wimmer Kelly Wolf David Colby Anthony Kiedis Flea Brittain Frye Jack Irons Afrika Islam Kris Jorgenson Jeannette Kerner Lee Kissinger Moya Kordick Jayne Modean Jude Mussetter Jessica Puscas Jandi Swanson Show All…
DirectorDirector
Marek Kanievska
ProducersProducers
S. Michael Formica Jon Avnet Marvin Worth Jordan Kerner
WriterWriter
Harley Peyton
Original WriterOriginal Writer
Bret Easton Ellis
CastingCasting
David Rubin
EditorsEditors
Peter E. Berger Michael Tronick
CinematographyCinematography
Edward Lachman
Assistant DirectorsAsst. Directors
Robin Holding Deborah Love
Camera OperatorsCamera Operators
Bruce Alan Greene Stephen St. John Gregory Lundsgaard Walt Lloyd
Additional PhotographyAdd. Photography
Mark Simon
Production DesignProduction Design
Barbara Ling
Art DirectionArt Direction
Steve Rice Cosmas A. Demetriou
Set DecorationSet Decoration
Nancy Nye Margaret Goldsmith R. Scott Doran Dea McKibben Erin Ellwood
Special EffectsSpecial Effects
Danny Lester
StuntsStunts
Gilbert B. Combs Steve M. Davison Janet Brady Tom Elliott Jerry Spicer Tim A. Davison Karen Price J.N. Roberts Tim Gilbert Gary Hymes Gary McLarty Noon Orsatti Spike Silver
ComposerComposer
Thomas Newman
SoundSound
David E. Campbell George Watters II John T. Reitz Gregg Rudloff Kimberly Harris Joseph A. Ippolito Larry Mann Gary Wright Victoria Martin Denise Horta Glenn Berkovitz
Costume DesignCostume Design
Richard Hornung
MakeupMakeup
Adam Christopher Deborah Figuly
HairstylingHairstyling
Angelo Di Biase
Studios
Amercent Films American Entertainment Partners L.P. 20th Century Fox
Country
USA
Primary Language
English
Spoken Languages
German English Spanish
Alternative Titles
Al di là di tutti i limiti, Unter Null, Golpe al sueño americano, Mai puțin de Zero, 회색도시, Neige sur Beverly Hills, Abaixo de Zero, На дъното, Меньше нуля, A Última Viagem em Beverly Hills, Noll att förlora, 零下的激情, ნულზე ნაკლები, レス・ザン・ゼロ, Feťáci, Fagypont alatt
Genres
Romance Drama Crime
Themes
Underdogs and coming of age Teen school antics and laughter Emotional teen coming-of-age stories Show All…
Releases by Date
- Date
- Country
Theatrical
06 Nov 1987
USAR
24 Mar 1988
AustraliaM
28 Apr 1988
Germany16
15 Apr 1989
JapanR15+
Releases by Country
- Date
- Country
Australia
24 Mar 1988
- TheatricalM
Germany
28 Apr 1988
- Theatrical16
Japan
15 Apr 1989
- TheatricalR15+
USA
06 Nov 1987
- TheatricalR
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Popular reviews
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Review by sarah ★★★
casting directors see james spader and say “put that freak in a situation”
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Review by Kevin Clarke ★★★★ 3
I don't know if this movie is canon in the Marvel Cinematic Universe, but it's an interesting Iron Man prequel anyway.
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Review by Warp ★★★½ 2
Rich kids, parties, drugs, debts and addiction in LA. Lots of bright popping colors, hedonistic events and a various banging soundtrack, although some rock music was a bit misplaced at times, it all was quite atmospheric.
It’s sad to see people who have so much options still end up in terrible situations.Downey isn’t my favorite actor but here he portrayed that ‘rich junkie’ excellent. The ending is beautiful and depressing at the same time. Overall a colorful 80s drama that has good pacing and a solid drug drama, something I like.
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Review by Noah Thompson ★★ 2
Please stop me before I say something hopelessly sentimental.
Look at how they massacred my boy. I have definitive favorites when it comes to movies. Something where my favorites are a little more loose though is when we get into the realm of other art forms. Even if I will sometimes switch back and forth between what I think my favorite books are, for the past few years I have had a good grip on who my favorite author is: Bret Easton Ellis. Most well known for American Psycho, The Rules of Attraction, and his first novel, Less Than Zero. Ellis has a very distinct style of writing. He's often very reliant on heavy descriptors, telling you more information about…
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Review by Dan ★★★
It's pretty crazy how rdj invented acting??
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Review by ZaraGwen ★★★½
Ultron has been trying to kill Tony Stark since 1987
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Review by Jason Alley🏳️🌈🐻 ★★★★½ 8
I've never actually read any of Bret Easton Ellis's novels (I intend to), but I sure am a fan of the films that are based on his work. AMERICAN PSYCHO, THE RULES OF ATTRACTION and LESS THAN ZERO are all weirdly compelling stories about the lives of the wealthy, white, and vacant, most of them made with the perfectly ironic backdrop of the sparkly, shallow 1980s, amid a jungle of neon-lit nightclubs and cocaine-smeared mirrors. Even though most of the characters are always junkies, preppies, hustlers, and even murderers, all three films are unexpectedly emotionally involving, none more so than this one.
Andrew McCarthy, perfectly cast as wealthy preppie Clay, returns to his hometown six months after graduating high school…
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Review by Silent J ★★★ 4
The amazing performance from Robert Downey Jr alone makes up for a mostly mediocre Brett Easton Ellis adaptation.
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Review by Sonny_Jim ★★★½ 23
Disclaimers: I've never read the book that served as the source material. I've also never done cocaine, for multiple reasons. [(1) I don't like the idea of things going up my nose. No one has ever looked cool snorting coke. (I don't even like the word snort.) (2) I always had the perception that coke is a drug for rich assholes, and I am nothing if not a man of the people. (3) "Snow Blind" was one of the weaker tracks on Ace Frehley's KISS solo album. (4) But the biggest reason was that I was always afraid I'd end up like Len Bias. Do any of you remember him? Guy gets drafted #2 overall by the Celtics in the…
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Review by eely 👻 ★★★ 3
the specific flavor of pretension and drama bret easton ellis and donna tartt were serving in the 80s and 90s truly has no modern day counterpart and it honestly breaks my heart.
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Review by I.V. ★★ 1
TFW you set out to make an Antonioni movie, but end up with an alarmist after school special.
P.S. Solid work from Ed Lachman, though.
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Review by lex 🔪 ★★★
the soundtrack lowkey went so hard
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